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FOND MEMORIES OF OWERRI DURING THE GOOD OLD DAYS WHILE GROWING UP. By Willie Amadi.
A MUST READ 📚 🤣
For those above 50, who had the privilege to live in Owerri during our growing up old school days, life was sweeter, more secured and loving.
Some times when I take a retrospective look between now and those days, when we grew up in “Old Owerri” I am compelled to affirm that the old days was better. “Uwa mbu kà nmà dàà” !
You may wonder what makes the good old times to be better than now that you have almost everything, color television, telephone handset, money transfer, modern and cosy aeroplanes and cars, tall glass houses and more tarred roads, etc. etc
Unfortunately, despite what many may see as modernity, civilization and jet age, with beautiful environment, made more decent by innovations and science, I still will give one arm for the joyous, organic and natural times we enjoyed in our old Owerri.
We had our fun without fear of the unknown, even at midnights till the wee hours of the morning. There was trust, compassion, considerations and respect among peers devoid of envy.
Reason was that, though there existed competition, yet you always know where you landed and accepted it because merit was sacrosanct.
We knew each other up to our parents who also knew us all too.
Every Parent must as a matter of practice, know who the friends of their Children are and where they live.
Then, we knew who owns which car in Owerri and what he does for a living.
Just to hang a television pole will attract attention of who owns it.
People lived within their income, were satisfied and happy. Their Children were happy with the modest life of their parents, whether rich, middle class or poor. Happiness was relative without envy.
When you visit a friend and he is not around, you simply pick his door key from the door lintel or under the foot mat and open the door.
If you are spending the night, the mother will feed you. This was old Owerri and good old days.
In Owerri, there were a few modern houses then, but life was organic and boisterous. I remember seeing people who came to Ekeukwu Owerri market streaming always into our compound daily to drink refreshing tap water before leaving for their various nearby villages. People visit Owerri once in a long while from Mbaise, Orlu, Mbano, Oguta, Ikeduru etc, etc. Such rare visits was like modern day going to Lagos and traveling to Lagos in those days was like an overseas trip of today.
Major roads and streets include,Tetlow, Mbaise, Wetheral, Okigwe, Douglas, Royce Road. There was nothing like MCC, New Owerri, Dick Tiger, Ikenegbu, Chukwuma Nwoha roads or names of the recent nouveau de rich politicians and businessmen in Imo today with little or no pedigree. That used to be the Owerri you see today.
In those regulated days, no girl will ever attempt to visit you at home as you dare not visit any in her parent’s house. It will take months for a girl to acknowledge your advances, and many more to find a convenient place to meet as no hotel will allow you into their premises. Meeting points were either at the School’s visiting day, School’s debating day or during holidays at public taps while fetching water, which usually is in the evening when the Public Water Corporation pumps water. The other place are the Church on Sundays or at the Library, where your studies and seriousness with your academics win you the opposite sex and not money.
Our books were our major focal points, even though we secretly socialized on Sunday evenings too.
We exchanged Novels like James Hardly Chase, Agatha Christy etc.You may attempt hunger strike or suicide for failing JAMB or WAEC while your mates pass and gain admission into the University before you.
Nearly all the secondary schools are equal in academic standards, no matter where they are located, except those in Owerri township preferred usually as first choice in Common Entrance examination.
Schools were known by their Nicknames.
We had, OGSSIAN the all time great school in Owerri, OCOGRAM, HOGOSCO , OGIMGBO, ECOL, all in Owerri town, St. CATA in Nkwere, AQUINAS in Añara, Sabastin Accademy, Emekuku Compre, Ejiogu Memorial Egbu owned by Nathan Ejiogu, SAHACO, NEWARK HIGH, all in Aba, OGS and NGOR HIGH in Ngor Okpala. There was also the TTC Irette and the nearest higher institution in Owerri then was Alvan Ikoku college of education, now University of Education.
We have some good “Commercial Schools” which we saw then as places for those who failed Common Entrance or whose parents can not afford Secondary School fees. There were OZIMS Commercial at Nwaorie axis and CITY Commercial at Amaram extension. These were two great and impactive learning curve for secretarial and commercial training.
Children’s Day, Independent celebration and the Inter House Sports in Schools were like our Christmas and New year Celebrations put together.
They were days Principals and Parents leave us alone for at least eight hours out of their proding eyes, and we “Utilized it to the fullest”.
We prepare for these occasions like there won’t be another tomorrow.
Apart from saving money for ‘JUMP or DISCO”, they were days to display our best cloths, some hidden from our parents. We wore them outside the house in a friend’s house and also changed them again before going back home or we wear our school uniforms on them and change them before going home to avoid the beating of our lives or starving of food as punishment.
To look clean, we visit places like Soul Scissors barbing saloon at Tetlow road for perfect and modern hair cuts. That was the only barbing saloon in Owerri that had electric clippers, and they charge a little higher. If you visit two times, you will get one free hair cut.
Latest fashions then were Amos and Easy Jeans trousers, Crazy Horse, Velvetin, Yobris, Acapulco Shirts, Silk etc, etc
We keep records through pictures taken with Kodak and Polaroid Cameras, which we call “Wait and Take”.
After the march pasts held at Old Township Stadium along Tetlow road, the next is to enter O’town and “Rock” before 6pm to hit back to our various Dormetries or prepare to head home after suspension.
But we must go to “Afternoon JUMP” before returning to school. Hotels in Owerri make heavy sells in such days.
We had Gulf Course, Catering rest house, Awareness, Kakadu, Chaseside, James, Ambassador, Domino, Third House at Emekuku, Tourist Centre, Pelly hotels, etc, etc
You can go to Angelo, Unit One, Duflox or Kemo if you want pastries.
The Headquarter of entertainment then in Owerri was Afurola Night Club located at White House Hotel, owned by late Eze Philip Nwosu, where you must save enough money for ticket and lately La Pearch owne by Nda Ambu, Mr. White and Concord Cassino and Nite club.
Geraldo Pino and Bina Kofi usually perform in turns. Attendance was for “Big Boys”. We happily return to tell our friends who couldn’t make it what they missed.
If you grew up in Owerri you will also remember Afro hotel at Oparanozie Street and Cocoanut Inn around Cherubin junction reputed for short time business. We would go to Nworie and swim after our lesson at the government hand craft center by Oparanozie street and be prepared to receive strokes of the cane at home as our red eyes betrays our lies of not swimming.
There was Rex Cinema at Royce Road. Talking about Cinemas, we were not comfortable with our parent’s black and white TV, until the Color brand started coming in vogue.
We enjoyed movies; like Bruce Lee, John Wayne, Hawaii 50, Sky Force, Hotel de Jordan with Chief Idiemudia as the man character and Samanja the army man with thick mustach, Jagua, Dallas, Charlies Angels, Zebrudaya, Nathy, Ovuleria, Jango and others entertained many. Many whose parents could not afford TV, peeped from the windows of their friends who will shift the curtain of their windows for them to watch Zebrudaya and Soul train. There was love and compassion from the heart.
We also enjoyed Brizillian League. The only player I can remember is Zeze.
The Common drinks include ever lasting Coca Cola, Green Sands Shandy, Champion Beer, Golden Guinea, Dubic, Royal Crown, Dr Pepper etc, etc.
Available Cigarettes were Saint Morris, Gold Leaf, Marlboro, Dunhill, Three Rings, Bicycle, Erimoore, Flight, Benson and Hedges but if you want to get real “high” than these stuffs, you visit Okon, located inside Mami Market at Shell Camp, Aluma at Wetheral road, Paddy Yama at Naze, Wazobia at Agbala or Ndà Jonel Cross èbè ime Ohèè in Umuororonjo village for weeds.
If you want the best palmy, you visit Igbokwe at Alvan Quarters, and another secret joint at Amakohia junction by Orlu road.
We hadly joked with music as we are always alert for singing and dancing the new “Release”.
Shalama, Fela, Whispers, Bob Marley, Chris Okotie, Jide Obi, Sonny Okosun, Yvonne Chaka Chaka, Maha of I will fly over the mountains fame, though she died very early, Onyeka Onwenu, Bongos Ikwue, Osibisa, Jimmy Cliff, Brother Johnsons, Commodores, Michael Jackson, MC Hammer, Felix Liberty, Chris Okotie, Christy Essien Igbokwe, Temptation, Somkey Robbison, Bony M, Earth Wind and Fire, Barry White, Smokies, Rod Stewart, Jonh Cougar, Bostons, Cutis Blow, Lijadu Sisters, Donna Summer, Gladys Knight and the Pimps, Grace Jones, Teddy Pendagrass, Cool and the Gang, Sir Warrior, Dan Orji, Alloy Anyanwu, Kabaka,Joeneze, Ederi Chukwueke, Abaraka, Olololo, Paulson Kalu, Raskimo, Majek Fashek, Malvin Gay, Billy Ocean, Odessy, etc.
Dancing styles include electric shock, shuffling, break dance and bruce or wholesale. These hugging dance feelings was like having sex, as that was the closest opportunity to touch a girl’s breast and waist and secretely kiss her while dancing in the hall.
Owerri had known Recording Studios. Labamba along School Road owned by Orlando Oparaugo.
We had Beaton owned by Vitais Ajumbe. We also enjoyed Master Blast DJ, Leostan, now Africa’s Tech giant, Alan B, who with Ajumbe were the major and best DJs in town.
I remember Awila, Martin Momo, Major Otuka, Kofi Nnaji, Bob and Eze Nnodi, Practicals, July Best, Innocent Boy, Massacre, Ekeledo (Agenda) Fusion (Toto) Saboo,Topscat, Alibuto, Ikeotuonye, Lazoo, Poto, Broken, Nna Meen, Ngozi & Chinyere (Umu ejimma).
I also remember “World Man and Bro Ken Obiekea and nda Felly Abii who thought us “Guy”.
“Guy” at that time was to have good dress sense and be bold among sexes, and know how to toast and do the Talking To, called (TT).
Not many families had vehicles then. Those of us who had privileged parents had to find a way to “roll out” our parent’s car to attend parties when they were asleep or hire one at Mbaise road for a few hours and return the vehicle. Running away with the vehicle will not even enter your mind.
The popular brands were Toyota Crown, Citreon, Datsun, Laurel and Pannel Van, Lada, Renault, Peugeot, Range Rover, Rio, Land Rover, Passat, Opel, Bettle, Fiat, Honda, Datsun Kawasaki, Vespa, Moblet etc, etc
I can vividly remember the white color Range Rover belonging to Chief Loveday Ememe, my uncle’s friend, a Commissioner then, who usually parked it in front of his house at Commissioners Quarter, Shell Camp.
The only available Swimming Pool was at Shell Camp Secondary School until Mbakwe built Concord Hotel in 1982.
Attending Football matches was a must. At Old Stadium fenced round with zinc.
We either scale the fence or follow a Military Man to enter free.
There was nothing like Premiership then. Nobody had time for that.
Our Clubs were Spartans, P&T Owerri, Ministry of Works FC, Elemats Ubomiri, Trojans Owerri.
Outside Owerri were Asabatex, Standard of Jos, Ewekoro Babes, Bendel Insurance, Flamingos of Benin, Leventis of Ibadan, IICC Shooting Stars of Ibadan, Rangers International Enugu, Vasco Dagama of Enugu, Enyimba of Aba, PZ FC, Aba, Stationary Stores Lagos, Racca Rovers of Kano, Calabar Rovers, Sharks of Port Hacourt, DIC Bees of Kaduna etc.
My Stars were in Spartans: Leo Nkwocha(Atila) Emma Ajunwa(Piccolo) Ben Akanu(Pele) Nicholas Ukadike(Thunder) Evans Ikwuwegbu(Mpoto) formerly Manning the goal of Enyimba and denied Spartans victory many times, Sidney Ugorji, Cardinal Ugwuegbu (Dont Dirty), the “Wonderful” goal keeper, Jerry Chukwueke, Sylvester Oparanozie(Bahama) lk Madukairo (Man Mountain) Emeliano Momokobo, Frank Njemanze, Ugo Harrison, Eugene Ohuabunwa, Kevin Onwana, Jonny Nwadioha, Goddy Ebomuche, the goal keeper Amadi Nwokocha, Goddy Agbarakwe, Peter Erege, Kelechi Emetole(Caterpillar) Ben Nwosu (Zico) and others.
I recognize nda Chim Chim Pepper, the number one fan of Spartans FC and also not forgetting Agwu Nwogo, the great IBC commentator who brought the matches to our homes and you felt that you were in the stadium
I am glad Owerri has developed and is developing into a Bigger City. Hotels, Shops and Plazas litter everywhere now.
Then we had Bata Shoes, Chanrai Super Market at Okigwe road, where PDP office is located presently, GayGill Super Market, at Wethral road, Jonny Stores, Ghana Stores at Douglas(owned by the Chukwuezis) Amadi Gun Store, on School road (by Willie Amadi’s family house), Donna Summer and Tonnison Electronic Shops,Tims Press. The only good Chemist was Manila on Douglas road.
We need a replica of SULLO, an Environmental Company that Mbakwe brought which made Owerri a sparkling cleanest State capital in 1982, later replicated in 2008-10 by Willie Amadi’s Clean & Green of Ohakim administration. I wish my Clean & Green was sustained till date to make Owerri a clean garden city. It will still happen, God willing.
Although development and science have made the city look more exciting, but much of her historical artifacts are gone to give way to civilization. The Mbari cultural center, the Nworie and Otamiri sparkling rivers, the great Ekeukwu Owere market are no more. The new proposed world class Water Front and Amusement Park by the Uzodinma administration may be a consolation to the younger and future generations.
I still remember the Jonny Walker Clock at Ama Jk Round About family house of amiable Nze HSK Osuji which survived the Biafran Civil War.
And lest I forget. In our growing up days, we only knew of Assumpta Cathedral and Cathol, Bishops Unegbu and Bishop Nwankiti at Egbu Cathedral. These were two major churches in Owerri. Today, Christianity have been invaded by Pentecostal movements.
Things have really changed.
We breathed my Owere Nchi-Ise as air of love, hospitality and conviviality. Today, it has become polluted and toxic due to urbanization, insecurity, politics of hatred and envy. God help us !
Nevertheless, WE thank God for the over 50 years of love, brotherlines compassion enjoyed amongst citizens of Abia who lived with us in Owerri before Abia State was created out of Imo in the 70s.
In OWERE …
“Ūyo wu ūyo mă gi remains our cherished hospitality gift and wishes for all good residents of Owere. Anyi shi kwa nū, gi láma nkpu nkpu âfu kwa la gi, ná âzu ooh !!!
I dedicate this piece of work to our children and libraries accross Nigeria for history, knowledge and posterity.
WILLIE AMADI ✨
Ukwachiaka, Omeudo Owere,
LL.B, BL, LL.M, Ph.D Law inview & Scholar at Cambridge.
Columns
Benita Enwonwu in the 1970s: Model, Actress, and Daughter of Ben Enwonwu
This photograph of Benita Enwonwu from the 1970s recalls a familiar face from Nigerian popular culture of that era. She was widely known as a model and actress, and is especially remembered for her appearance in Joy Soap advertisements, which made her one of the recognisable media personalities of the period.
Benita was also notable for her family background. She was the daughter of Ben Enwonwu, one of Nigeria’s most celebrated modern artists and sculptors. Ben Enwonwu’s career placed him among the leading figures in twentieth-century African art, so Benita’s public image carried an added layer of cultural significance, linking Nigerian advertising, performance, and elite artistic heritage.
While she is often remembered today through nostalgic references to the Joy Soap ad of the 1970s, available reliable public documentation on her wider filmography and career is limited. Because of that, it is safest to describe her as a popular model and screen personality associated with Nigerian advertising culture of the 1970s, rather than overstate details that are not strongly verified.
What makes the image especially interesting is that it reflects a period when print advertising, television commercials, and glamour photography were becoming more influential in shaping urban popular culture in Nigeria. Figures like Benita Enwonwu helped define the aspirational, stylish image of that period.
background
Ben Enwonwu is well documented as a major Nigerian artist, and auction-house and museum records confirm his international reputation and family legacy. Publicly accessible records also support the broad identification of Benita Enwonwu as his daughter, though detailed independent archival coverage of her own career appears limited.
Source note
The immediate source you gave is Benita Enwonwu’s Twitter page, which may be useful as a primary-source attribution for the photo itself, but I could not independently verify that page directly from accessible archival sources in this search.
References
Ben Enwonwu Foundation / related institutional material on Ben Enwonwu’s legacy.
Columns
Aliko was only 20 years old when he founded his company, Dangote Group. In 2011, he became the first nongovernmental figure to receive the distinction of the Grand Commander of the Order of the Niger (GCON), Nigeria’s second highest honour.
Born April 10, 1957, in Kano, northern Nigeria, Aliko Dangote has come to symbolize the transformative power of enterprise on the African continent. With a commercial instinct honed from youth and a formidable vision for self-reliance, Nigeria’s richest man has redefined industrial ambition in Africa.
In 1977, a young Dangote embarked on his entrepreneurial journey by establishing the Dangote Group, initially a modest trading firm dealing in imported commodities such as sugar, salt, and foodstuffs. As the business grew rapidly, he recognised the limitations of import dependency and set his sights on industrial production.
By 1981, he had launched Dangote Nigeria Limited and Blue Star Services, expanding his operations to include the importation of rice, steel, and aluminium products—a clear indication of his growing appetite for scale and influence. But it was in cement that his greatest impact would soon be felt.
Responding to the ever-increasing demand for building materials in Nigeria and across West Africa, Dangote founded Dangote Cement, positioning it to rival foreign giants such as Lafarge, the French multinational known at the time for dominating African markets through imports. With strategic foresight and substantial investment in local production, Dangote not only outpaced competitors but helped reposition Nigeria as a net exporter of cement.
By 2023, Dangote Cement had become a cornerstone of African infrastructure, generating approximately $3.7 billion in revenue, while Dangote Sugar rose to be one of the largest sugar producers in both Nigeria and the continent at large.
His entrepreneurial achievements are matched by his influence on public policy and national development. In 2011, President Goodluck Jonathan appointed Dangote to the Economic Management Team, recognising his pivotal role in shaping Nigeria’s industrial trajectory. That same year, Jonathan conferred on him the Grand Commander of the Order of the Niger (GCON)—the country’s second highest national honour.
A household name not just in Nigeria but across Africa, Dangote’s reach extends beyond business. In 2014, he was listed among Time magazine’s 100 most influential people in the world, a testament to his international stature. As of March 2025, Forbes estimates his personal fortune at $23.8 billion, making him the wealthiest Black person in the world.
Yet for all the headlines, Dangote’s legacy rests not merely in wealth, but in impact—in industries built, jobs created, and a continent nudged steadily toward economic self-sufficiency. With his flagship Dangote Refinery poised to revolutionise the energy landscape of West Africa, his vision continues to unfold—bold, pragmatic, and unmistakably African.
Columns
Fela Anikulapo Kuti Meets Icons of Art and Music in New York – 1986
When Afrobeat intersected with 1980s New York’s vibrant art scene
In 1986, Nigerian Afrobeat pioneer Fela Anikulapo Kuti traveled to New York, a global epicentre of music, fashion, and contemporary art. During this trip, he was photographed alongside three towering figures of the city’s cultural scene: Keith Haring, the revolutionary pop artist; Jean-Michel Basquiat, the celebrated neo-expressionist painter; and Grace Jones, the avant-garde singer, model, and performer.
A Convergence of Art, Music, and Activism
Fela Kuti, already a legend in Africa, was known for blending traditional Yoruba rhythms, jazz, funk, and highlife to create Afrobeat, a genre that carried sharp political commentary and a call for African liberation. By the mid-1980s, Fela had achieved international recognition not just as a musician but also as a cultural and political icon.
New York during this period was a magnet for creativity. Downtown Manhattan’s clubs, galleries, and lofts were vibrant meeting points for emerging artists, musicians, and activists. Keith Haring was transforming public spaces with his bold graffiti-inspired imagery that celebrated social activism and community engagement.
Jean-Michel Basquiat, rising from the SAMO graffiti project, was redefining contemporary painting with references to African diasporic history, jazz, and street culture. Grace Jones, with her fearless performances and striking fashion, blurred the lines between music, visual art, and theatricality.
The photograph of Fela with Haring, Basquiat, and Jones embodies a cross-cultural dialogue: African Afrobeat meeting New York’s avant-garde art scene. The collaboration of ideas, energy, and rebellion against social norms created a powerful synergy that celebrated creative freedom and social critique.
Fela’s Impact and Resonance
Fela’s presence in New York in the 1980s extended his influence beyond African music:
Cultural Ambassador: He introduced the global audience to Afrobeat rhythms and political narratives about Nigerian governance and African unity.
Political Voice: Fela used music as activism, critiquing dictatorship, corruption, and inequality, which resonated with New York artists tackling social injustice in their mediums.
Artistic Exchange: His meetings with Haring and Basquiat symbolize the blending of visual and musical arts, showing how African rhythms inspired and were inspired by contemporary Western art.
The Icons of 1980s New York
Keith Haring (1958–1990): His art addressed AIDS awareness, apartheid, and social inequities through a distinctive graffiti style.
Jean-Michel Basquiat (1960–1988): Known for paintings that combined text, imagery, and social commentary, often highlighting African heritage and identity.
Grace Jones (b. 1948): A music and fashion trailblazer, known for her theatrical performances, gender-bending style, and influence on New Wave and disco music.
A Symbolic Moment
The photograph is more than a casual gathering—it is a representation of global cultural exchange. Here was a Nigerian musician whose voice challenged power structures, standing with avant-garde artists who were also pushing boundaries in their respective fields. It highlights how African cultural expression influenced and was celebrated internationally.
This moment also reflects the 1980s as a period of experimentation, cross-pollination, and dialogue among music, fashion, and visual art, creating enduring legacies that continue to inspire generations.
Source:
Veal, Michael. Fela: The Life and Times of an African Musical Icon.
Haring, Keith. Keith Haring Journals.
Basquiat, Jean-Michel. The Radiant Child: The Life of Jean-Michel Basquiat.
Personal archives and historical photographs of Fela Kuti in New York, 1986.
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