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The Roots of Elegance: Sade Adu’s Family Beginnings in Ibadan, Nigeria (1959)

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A rare glimpse into the early life of music legend Sade Adu, captured as an infant in the arms of her Nigerian father, Professor Adebisi Adu, alongside her English mother and older brother in Ibadan, the city of her birth.

A Rare Family Portrait from Ibadan, 1959

The black-and-white photograph, taken in Ibadan, Nigeria, in 1959, offers a poignant glimpse into the family roots of Helen Folasade Adu — known to the world as Sade Adu. In the image, a young Professor Adebisi Adu cradles his infant daughter tenderly, while his English wife, Anne Hayes, stands beside him, and their first child, Banji Adu, looks toward the camera with curiosity.

This photograph was taken at a time when Nigeria was on the cusp of independence, a period marked by optimism and national awakening. Against this backdrop, the Adu family represented a quiet symbol of cross-cultural harmony — a union of British and Nigerian identities that would later shape one of the most iconic musical artists of the modern era.

The Adu Family: A Union Across Cultures

Sade Adu was born on 16 January 1959 in Ibadan, then the capital of the Western Region of Nigeria. Her father, Professor Adebisi Adu, was a respected Nigerian economist who lectured at the University of Lagos and other Nigerian institutions before later taking up teaching positions in England. He was known for his intellect, discipline, and dedication to education.

Her mother, Anne Hayes, was an English nurse from Northamptonshire, England. She met Adebisi Adu while he was studying in the United Kingdom during the 1950s. Their marriage was not only a personal bond but also a cultural bridge at a time when interracial unions were still relatively uncommon.

Their relationship brought together two distinct worlds — the academic and the compassionate, the disciplined and the nurturing — values that would deeply influence Sade’s worldview and artistry.

Childhood and Early Years in Nigeria

The Adu family lived in Ibadan, a thriving academic and cultural hub. Ibadan, home to Nigeria’s first university, was a city rich in Yoruba heritage and intellectual energy. It was here that baby Helen spent her earliest years, surrounded by the rhythms and languages of Yoruba life.

The photograph captures this moment in time — a family rooted in education, culture, and affection. Although Sade was too young to remember her days in Ibadan, the spiritual connection to her birthplace and her father’s homeland would later echo through her identity and music.

Her Yoruba first name, Folasade, translates to “Honour confers a crown,” a phrase that would, in hindsight, beautifully foretell her future as one of the world’s most admired musical icons.

A Family’s Journey to England

When Sade was about four years old, her parents separated, and her mother took her and her brother back to England. The move marked a significant turning point in her early life. Settling in Colchester, Essex, Anne Hayes raised her children largely on her own, balancing work as a nurse with motherhood.

Despite the physical distance from Nigeria, the connection to her father’s Yoruba roots remained present in subtle ways. Sade later spoke about the quiet strength of both her parents — her mother’s resilience and her father’s intellectual influence — as cornerstones of her identity.

Her brother, Banji Adu, would also play a lifelong role in her story. Known for his humour and creativity, Banji supported Sade’s early ambitions and shared her appreciation for art and culture.

Education and the Path to Artistry

Sade attended Clacton County High School before enrolling at Saint Martin’s School of Art in London to study fashion design. Her artistic sensibility, shaped by both Nigerian and British influences, became the foundation of her later aesthetic — minimalist, elegant, and deeply emotive.

Though her father hoped she would pursue a more academic path, her decision to enter the creative world reflected the balance of intellect and expression she inherited from both parents.

Legacy of the 1959 Photograph

The 1959 family portrait remains more than a personal keepsake; it is a visual document of cultural history. It captures not only the beginning of Sade Adu’s life but also the meeting of two worlds — postcolonial Nigeria and post-war Britain — through one family’s story.

The tenderness of Professor Adebisi’s gaze toward his infant daughter reflects a father’s pride, while Anne Hayes’ gentle poise embodies maternal warmth. Together, they frame the earliest image of a woman who would one day redefine global music with her poise, depth, and soul.

Sade Adu’s Enduring Connection to Her Nigerian Roots

Although Sade spent most of her life in England, her Nigerian heritage remains an integral part of her identity. Her calm demeanour, respect for rhythm, and soulful interpretation of emotion all echo Yoruba sensibilities — restraint, grace, and depth.

In interviews, Sade has often spoken about her father’s influence and her awareness of her mixed heritage. She has described herself as “proudly African and proudly British,” a reflection of the dual identity represented in that 1959 family photograph.

Even decades later, when global fame arrived through her band’s 1984 debut album Diamond Life, Sade carried herself with the quiet dignity and cultural depth inherited from her Nigerian beginnings.

The 1959 photograph of Sade Adu’s family in Ibadan is more than a nostalgic image — it is the visual prologue to a global story. It speaks of love, cultural fusion, and beginnings rooted in the heart of Nigeria.

From the gentle arms of Professor Adebisi to the nurturing care of Anne Hayes, Sade’s life was shaped by two worlds that, when joined, created a voice that transcended borders. Her journey from Ibadan to international stardom is a reminder that heritage, even when far away, always finds a way to sing through us.

References

BBC Music Archives: Sade Adu Biography

The Guardian (UK), “The Enigma of Sade Adu”, 2010

Encyclopaedia Britannica, 2024 Edition

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Orji Uzor Kalu

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Orji Uzor Kalu MON (born 21 April 1960) is a prominent Nigerian politician, businessman, and former two-term governor of Abia State. He is widely recognized for his influence in both Nigeria’s political landscape and its private sector, particularly in media and diversified business enterprises.

Early Life and Education

Kalu was born in Abia State, where he grew up and began his early education. He later attended the University of Maiduguri but was suspended during a period of student activism. Despite the interruption, Kalu went on to build a successful entrepreneurial career before fully venturing into politics. Over the years, he completed various academic and executive programs, strengthening his profile as a businessman and public administrator.

Business Career

Before entering high-level politics, Kalu established himself as a successful entrepreneur. He is the Chairman of SLOK Holding, a business conglomerate with interests spanning:

trading

manufacturing

shipping

banking

oil and gas

His investments expanded both within Nigeria and internationally. Kalu also holds significant influence in the Nigerian media industry as the chairman and principal owner of The Daily Sun and New Telegraph, two widely circulated national newspapers. Through these enterprises, he has contributed to Nigeria’s media development, business growth, and employment generation.

Political Career

Kalu ventured into politics in the early 1990s. His major political breakthrough came in 1999, when he was elected Governor of Abia State, the first governor of the state under Nigeria’s Fourth Republic. He served two terms from 29 May 1999 to 29 May 2007.

During his governorship, Kalu focused on:

infrastructural development

education reforms

rural development

fiscal transparency

encouragement of local enterprise

He became known for his bold political style and his outspokenness on national issues. Kalu also played influential roles in national politics, aligning with various political parties at different times and serving as one of the notable political actors in Southeast Nigeria.

Senatorial Career

In 2019, Kalu was elected as the Senator representing Abia North Senatorial District in the Nigerian Senate. In the Senate, he has participated in legislative debates, sponsored bills, and advocated for policies supporting economic growth, regional development, and national unity.

Legal Challenges

Kalu faced legal controversies regarding corruption allegations linked to his time as governor. He was convicted in 2019 by a Federal High Court; however, the Supreme Court later nullified the conviction, citing procedural errors and ordering a retrial. The development became one of the most widely discussed legal cases involving a high-ranking public official in Nigeria.

Honours and Recognition

Kalu holds the national honour of Member of the Order of the Niger (MON). His political and business careers have earned him recognition across Nigeria and beyond, while his strong media presence continues to shape public discourse.

Personal Life

He is married and has children. Kalu maintains a significant influence in both political and business circles and continues to be an active figure in Nigerian public life.

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THE EXECUTION OF THE 1976 COUP PLOTTERS IN NIGERIA

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On Friday, February 13, 1976, Nigeria was shaken by a tragic and violent coup d’état led by Lieutenant Colonel Bukar Suka Dimka. The most devastating outcome of this failed coup was the assassination of the nation’s then Head of State, General Murtala Ramat Muhammed. He was gunned down in Ikoyi, Lagos, as he traveled unescorted to his office at the Dodan Barracks. His death sent shockwaves across the country and marked a dark chapter in Nigeria’s post-independence political history.

General Murtala Muhammed had only been in office for approximately 200 days, yet he was deeply admired for his bold reforms, anti-corruption stance, and efforts to return Nigeria to civilian rule. His untimely death sparked outrage, mourning, and swift retribution by the military establishment.

The coup, though partially successful in its initial hours, quickly collapsed. Loyalist forces, particularly those under the command of then Chief of Staff, Supreme Headquarters, Lieutenant General Olusegun Obasanjo, and General Theophilus Danjuma, regained control of strategic institutions. Dimka had temporarily seized the state radio to broadcast his justification for the coup, accusing the Muhammed regime of corruption and maladministration. However, his broadcast was cut short, and he fled Lagos.

Olusegun Obasanjo, after initial hesitation, accepted the call to leadership and succeeded Muhammed as Head of State. His new regime was determined to punish the conspirators severely and deter future insurrections. What followed was one of the most publicized military trials and mass executions in Nigerian history.

The Court-Martial and Executions

Over 100 military personnel and civilians were arrested in connection to the failed coup. Following military investigations and tribunals, dozens were convicted of plotting, aiding, or executing the coup attempt. The convicted officers were sentenced to death by firing squad, and the executions were carried out in two major rounds.

The first set of executions took place on March 11, 1976, at Bar Beach, Lagos, a location known at the time for public executions. Under the supervision of General Obasanjo’s military government, 31 individuals were executed, including senior officers, junior ranks, and one civilian. These included:

1. Major General I. D. Bisalla (former Commissioner for Defence)

2. Warrant Officer II Monday Monchon

3. Staff Sergeant Richard Dungdang

4. Sergeant Sale Pankshin

5. Lieutenant Colonel A. R. Aliyu

6. Captain M. Parvwong

7. Captain J. F. Idi

8. Captain S. Wakins

9. Lieutenant Mohammed

10. Lieutenant E. L. K. Shelleng

11. Lieutenant Colonel Ayuba Tense

12. Colonel A. D. S. Way

13. Lieutenant Colonel T. K. Adamu

14. Lieutenant Colonel A. B. Umaru

15. Captain A. A. Aliyu

16. Captain Augustine Dawurang

17. Major M. M. Mshelia

18. Lieutenant William Seri

19. Major I. B. Ribo

20. Major K. K. Gagra

21. Captain M. R. Gelip

22. Mr. Abdulkarim Zakari (a civilian who assisted in the radio broadcast)

23. Lieutenant Peter Ggani

24. Major Ola Ogunmekan

25. Lieutenant O. Zagmi

26. Lieutenant S. Wayah

27. Sergeant Ahmadu Rege

28. Sergeant Bala Javan

29. Warrant Officer II Sambo Dankshin

30. Warrant Officer II Emmanuel Dakup Seri

31. Major J. W. Kasai

A second round of executions took place between May 15 and 17, 1976, following the capture and trial of the coup leader and his key accomplices. This final round included:

32. Lieutenant Colonel Bukar Suka Dimka (leader of the coup)

33. Joseph D. Gomwalk (former Military Governor of Benue-Plateau State)

34. Lieutenant S. Kwale

35. Warrant Officer H. E. Bawa

36. Colonel I. Buka

37. Major J. K. Afolabi

38. H. Shaiyen

Dimka was captured after a nationwide manhunt and interrogation. During his trial, he remained defiant and refused to express remorse. His execution, along with the others, was carried out in secrecy, though public knowledge of it spread quickly.

These executions were meant to send a clear signal that treason and political instability would not be tolerated. While controversial, especially due to the scale and speed of the trials, the actions taken by the Obasanjo-led government reinforced military discipline and temporarily stabilized Nigeria’s political environment.

General Olusegun Obasanjo would go on to continue the reform agenda of the late Murtala Muhammed and, in 1979, became the first military leader in Nigeria to voluntarily hand over power to a democratically elected civilian government. This marked the beginning of Nigeria’s Second Republic.

The 1976 coup attempt remains one of Nigeria’s most defining political crises, remembered not only for the tragic loss of a visionary leader but also for the massive response it provoked from the military and the Nigerian public.

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Tokunbo Akintola: The First Black African Student at Eton College

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In April 1964, a quiet but historic milestone was recorded in the educational and social history of both Nigeria and Britain. On the 29th of that month, the family of Chief Samuel Ladoke Akintola—then Premier of the Western Region of Nigeria—stood proudly at Eton College in England as his son, Tokunbo Akintola, was formally admitted as the first Black African student in the school’s centuries-long history. At just thirteen years old, Tokunbo stepped into one of the most prestigious educational institutions in the world, a boarding school that had shaped the minds of British royals, aristocrats, intellectuals, and nineteen British Prime Ministers.

The photograph taken that day captures not merely a familial moment but a symbol of cultural diplomacy and evolving global relations. The Akintola family appears in a dignified blend of traditional Nigerian attire and modest Western clothing—a visual representation of their deep Yoruba roots and their engagement with the global stage. Standing at the centre is young Tokunbo, clad in his new school uniform, poised to begin an educational journey many could only dream of. Around him, his family offers a visible aura of pride, hope, and expectation.

Chief Ladoke Akintola, Tokunbo’s father, was by then one of the most influential political figures in Nigeria. A trained lawyer, seasoned journalist, and an orator known for his eloquence, he had risen to become Premier of the Western Region during a turbulent but significant period in Nigeria’s post-independence political evolution. His son’s admission into Eton represented both personal achievement and national symbolism—proof that African families could now step confidently onto platforms historically reserved for the British elite.

Eton College itself stood as an institution of immense reputation. Founded in 1440 by King Henry VI, it had become synonymous with leadership and privilege, producing generations of statesmen, military leaders, and members of the Royal Family. For centuries, its doors had remained firmly closed to Africans. Tokunbo’s arrival in 1964 therefore marked a quiet breaking of barriers, the beginning of a new chapter in cross-cultural educational exchange.

Tokunbo remained at Eton through the late 1960s, navigating the school’s rigorous academic environment and its deeply traditional culture. Those who remember him described him as gentle, intelligent, and quietly charismatic. Yet his life, promising as it was, would be a short one. Four years after leaving Eton, in 1973, Tokunbo Akintola died tragically at a young age, cutting short what many believed could have become a remarkable legacy in law, politics, or diplomacy—fields that seemed perfectly aligned with his upbringing and the reputation of his father.

Today, Tokunbo’s story endures as part of Nigeria’s broader historical narrative. It represents the aspirations of a generation of postcolonial families who sought to blend African identity with global opportunity. It also stands as a reminder of the contributions—and sacrifices—made by those who walked early paths of representation, carrying the hopes of their families and nations with them.

Source:
Getty Images archival description; historical records on Ladoke Akintola and Eton College.

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